The Dinosaurs of Waterhouse Hawkins

An Illuminating History of Mr. Waterhouse Hawkins,
Artist and Lecturer
by Barbara Kerley
illustrations by Brian Selznick
Scholastic 2001

The story of Waterhouse Hawkins is one of those odd ducks that are at once as fascinating as they are forgetable. Waterhouse (as he apparently preferred to be known) was a (self-taught?) naturalist artist who (somehow) managed to find himself commissioned to make life-sized models from the fractured, (incorrectly) recreated fossils of dinosaur bones that had been discovered at the end of the 19th century. Working with the scientist Richard Owen, renowned for his ability to reconstruct animal physiology with only the slightest of fragments, Waterhouse was able to present to the public their first glimpse at the creatures who once populated the planet.

Kerely does an interesting (not necessarily positive) thing here and separates Waterhouse's saga into three parts: London of the 1850s, America in the 1870s, then back to London. It's an unusual story arc because Kerley isn't telling a life story or a biography so much as she's highlighting the years of Waterhouse's fame. His proverbial fifteen minutes of fame, you might say. While this isn't necessarily a problem it does leave us with a story whose narrative arc is based entirely on this nebulous rising and falling of Waterhouse's fame.

Additionally, the "climax" of the narrative arc culminates in Waterhouse upsetting Boss Tweed in New York where he is at work building a palace to house a new collection of dinosaurs. Pissing off Tweed in a public forum, Waterhouse returns to his workshop to find his works in progress smashed to ruins and carted away where they were buried in Central Park. Waterhouse then returns to London for his final act which, at least here, consists of reflecting on new knowledge that renders his creations inaccurate, pondering what great new discoveries might be on the horizon.

While this isn't quite a "history" of an individual, as promised in the subtitle, we do have a drawn out vignette of a Mr. Waterhouse Hawkins. The "illuminating" aspect might be defined simply as presenting the reader with a rough sketch of a minor player in the history of anthropology. Going back over this, I'm surprised by how little I actually learn about the subject. I also don't find myself caring whether or not he gets funding to make his sculptures, or find I'm involved enough with his American undertaking to feel horrified at the destruction carried out in his workshop.

The information provided does, however, suggest answers to these problems.

I think I would have preferred the book not be about Waterhouse as an individual, but about the process that led to the creation of these sculptures. I would rather have seen a story about how Waterhouse and Owen came together, worked together, with a little comparison between the scientist and the artist and how their fields inform each other. Seeing their struggle to recreate what had never been seen or recorded would make for a nice triumph that would naturally lead Waterhouse to America, as it did.

From there, some background on Boss Tweed and political corruption in New York, along with some public sentiment either way about the dinosaurs, so we can get a feel for the showdown to come. Then, big showdown, work crushed, Waterhouse returns to England, complete with coda about how his statues are there to this day.

I know, I know, a review isn't supposed to rewrite or tell the author how they should have written their book. But in trying to understand why this didn't work for me I had to try and envision a way in which the story could have worked. Sometimes I don't think it's enough to say "this didn't work, and here's why" without offering an alternate possibility. Clearly my suggestion isn't the book Kerley set out to write, but the book, as written, is only a mildly entertaining and easily forgettable tale.

DInosaur Versus Bedtime

by Bob Shea
Hyperion 2009

Roar! I am a dinosaur! ROAR! Nothing can stop me!

A pile of leaves, a playground slide, a bowl of spaghetti, all met with the little dinosaur's fearlessness and a mighty trio of roars as this simple picture book progresses toward the ultimate showdown against bedtime. Following each battle "Dinosaur wins!" sets up the reader for the turn when baby dinosaur meets his match.

Shea's use of playful, childlike illustrations, bold colors and collages, and expressive typeface give this simple story the extra edge it needs. It's a bedtime book that honors and recognizes that settling in for the night doesn't begin quiet, just as baby dinosaur's day begins with yelling and action and progresses toward the inevitable.

I am not a huge fan of the bedtime book as a rule. For the most part they are books designed to calm and prepare a child for bedtime, they serve as child modification devices for adults. There are books for children about grieving, books about potty training and books to explain "issues" like bullying and divorce. This need to find a book to explain or frame specific situations on behalf of adults creates an illusion that books have all the answers, that unpleasant business can be handled with a book, and trains young minds to view reading a book with skepticism. Like medicine, where is the joy of reading if it's presented as an aid to a symptom. Stories should be told for the joy of the story, not as a means to an end.

Shea's book takes the bedtime book and turns it on its head. Instead of quiet good-nights to items in the room or lullabies from animal mommies to their babes we have a rambunctious baby, a dinosaur baby, roaring right and left, fighting and defeating inanimate foes. The subversion in this is that young readers are easily lulled into thinking this books will end in a victorious dinosaur winning against bedtime. But after a bath and brushing of teeth the roars get quieter and even dinosaur can't win against sleep. And the lesson: even raucous dinosaurs need their sleep.

And so, for his second birthday, my nephew is getting Dinosaur Vs. Bedtime, as well as Don't Let the Pigeon Drive the Bus and The Nutshell Library.

Literacy wins!

Big Dumb Book: Tim, Defender of the Earth!

by Sam Enthoven
Razor Bill / Penguin 2008

Let's play a game of Mental Picture and see how things go.

First, imagine two giant monsters throwing down like a couple of WWF wrestlers in a large metropolitan city. Sort of like in a Godzilla movie, with both of these monsters a couple hundred feet tall, tossing each other into famous landmarks and obliterating the skyline. One of them is a genetically cloned T-Rex and the other is a mad-scientist- turned-humanoid-cockroach mutant.

Are you still with me?

Okay, so the city is London, not Tokyo, and both creatures are the inadvertent results of secret British government funding. There is no radioactivity involved. T-Rex makes his appearance when the funding for his project evaporates and he escapes down the Thames to the sea where he instinctively seeks the Yoda-like wisdom from a nine million year old Kraken who is the current Defender of Earth.

Have you cried uncle? But wait! When asked by the Kraken if he has a name T-Rex responds with a line pulled straight from Monty Python and the Holy Grail.

"There are some who call me... Tim."

Oh yes, and the mad scientist. Well, he was working with nanobots that could deconstruct organic matter at the cellular level, move about as a swarming cloud under mental telepathy, and then recombine it either as it was or modified. When his project is rebuffed by the government he takes it upon himself to take his research to the field, as it were, deconstructing roaches and rats and hapless drunks in the Underground at closing time and recombining them into his own super-self, a god-like being impervious to almost anything that can be thrown at him.

And the scientist has a daughter, Anna. And she's a bit of an outcast. And she hooks up with another outcast, a boy named Chris. And Chris has been chosen to wear a special bracelet that can harness the energy of Earth, energy that can be used by Tim. And...

I'm sorry. Once you get started with a story like this it's hard to know how much is too much. Clearly the author doesn't believe in such restrictions because he tosses everything into the pot. There are times where I would say this is a bad thing because sensory overload eventually kicks in and numbs the brain to the point of boredom, but not here.

This is the book that recently helped solidify my thinking behind the Big Dumb Book. Just as there are Big Dumb Movies that you can enjoy on a purely entertainment level, so are there books that just carry you along, like surfing a wave on absurdity. As a break from all the other required summer reading -- you know, that stuff like broccoli that's supposed to be good for you -- here's a bit funnel cake from the county fair to prevent the brain from calcifying.

Bonus time! Check out this illo to be bound into the hardcovers










Do you know a teen boy who can appreciate literature, Monty Python, and comic books? Bingo, here's their next book.