Poetry Friday: my sweet old etcetera

from America At War
poems selected by Lee Bennett Hopkins, illustrated by Stephen Alcorn
McElderry Books 2008

Yeah, I'm back in the Friday Poetry round-up, for the month at least. Can't let National Poetry Month drift without mentioning some sort of poetry. I'm taking the liberty this week of cross-posting two different poems from the same collection because, well, just because. Does poetry need a reason?

This collection, America At War, groups poems by the wars America has participated in one way or another. A while back I mentioned this collection and included a Carl Sandburg poem, one I'm pretty sure I had to memorize in seventh grade. This time around we have a little e.e. cummings, and despite the fact that it's about a letter from the front, I like the refrain and the subtle bawdiness at the end.

my sweet old etcetera
e.e. cummings

my sweet old etcetera
aunt lucy during the recent

war could and what
is more did tell you just
what everybody was fighting

for,
my sister

isabel created hundreds
(and
hundreds) of socks not to
mention shirts fleaproof earwarmers

etcetera wristers etcetera, my
mother hoped that

i would die etcetera
bravely of course my father used
to become hoarse talking about how it was
a privilege and if only he
could meanwhile my

self etcetera lay quietly
in the deep mud et

cetera
(dreaming,
et
cetera, of
Your smile
eyes knees and of your Etcetera)

Yes, quite. Dreaming of your Etcetera. People should sign love notes to one another that way. And why not?

Check out the Poetry Friday round-up this week over at Becky's Book Reviews.
My other post is lurking over at is lurking over at fomagrams.

Poetry Friday: Two About War

I caught a peep at a new book due out in the spring called America At War, poems selected by Lee Bennett Hopkins, illustrated by Stephen Alcorn. The selections are grouped by the major American wars starting with poems about the Revolutionary War and concluding with poems from the Persian Gulf War of 1991.

I had been looking lately for a poem about the Vietnam War that might resonate today. I found in this collection a Sandburg poem from World War I that I had forgotten.

Grass
Carl Sandburg

Pile the bodies high as Austerlitz and Waterloo.
Shovel them under and let me work--
I am the grass; I cover all.

And pile them high at Gettysburg
And pile them high at Ypres and Verdun.
Shovel them under and let me work.
Two years, ten years, and passengers ask the conductor:
What is this place?
Where are we now?

I am the grass.
Let me work.

I remember being more than a little creeped out when my 7th grade teacher had us memorize that, the images of the grass growing over the fallen. Since then I've come to hear the weary voice of the grass begging to be allowed to cover over the scars of battle. Not to hide but to heal.

I had also been looking for a poem by Denise Levertov, separate from a war poem, and found this in the same collection.

What Were They Like?
Denise Levertov

1) Did the people of Vietnam
use lanterns of stone?
2) Did they hold ceremonies
to reverence the opening of buds?
3) Were they inclined to quiet laughter?
4) Did they use bone and ivory,
jade and silver, for ornament?
5) Had they and epic poem?
6) Did they distinguish between speech and singing?

1) Sir, their light hearts turned to stone.
It is not remembered whether in gardens
stone lanterns illuminated pleasant ways.
2) Perhaps they gathered once to delight in blossom,
but after their children were killed
there were no more buds.
3) Sir, laughter is bitter to the burned mouth.
4) A dream ago, perhaps. Ornament is for joy.
All the bones were charred.
5) It is not remembered. Remember,
most were peasants, their life
was in rice and bamboo.
When peaceful clouds were reflected in the paddies
and the water buffalo stepped surely along terraces,
maybe fathers told their sons old tales.
When bombs smashed those mirrors
there was time only to scream.
6) there is no echo yet
of their speech which was like a song.
It was reported their singing resembled
the flight of moths in moonlight.
Who can say? It is silent now.

Too much silence these days, too quiet for my taste.