A Pet for Petunia

by Paul Schmid 
Harper  2011 

A little girl wants a pet, and she promises to take care of it and everything, but some pets just aren't meant to be...

Petunia loves skunks.  That's all you need to know.  Because when a child loves an animal at some point the question will be "Can I have one as a pet, please, pretty please?" and we all know how that goes.  Of course Petunia, and most children, learn that their ideal pet sometimes isn't s perfect as they thought.  Once confronted with the reality that her parents are right – skunks do in fact stink – Petunia accepts that her stuffed animal version is good enough until one day she encounters...

And there's the final page-turn twist.  Of course the reader is going to understand the new problem at a glance and can work out what happens next.

Schmid's illustration style is pure charm, simple conte crayon and spot watercolor in two colors, mostly purple with dabs of yellow.  The simplicity suits the story, and Petunia's expressions are easily read.  I've been a fan of Schmid's since I saw his work in The Wonder Book a while back, and I still think he has a great eye for the details in character and setting that are totally child-centric. 

I think we've all been here at one time or another.  Just a few months ago with our teen daughters we had this pleading and promising going on for some new kittens.  And as a pre-school boy myself I wanted to have a pet squirrel.  I even created a squirrel sanctuary in an empty closet under the stairs. It's interesting to consider this desire kids (and people in general) have to be caretakers of animals.  There's cuteness, and companionship, but beyond that... I don't know, I find it interesting.

As opposed to high concept picture books about pets (the previously reviewed Children Make Terrible Pets) here we have the variation on the universal concept of the unreasonable pet.  The universal concept takes common childhood experiences and explores the process of discovery for the child/main character that leads them to recognize that some pets just aren't meant to be.  Of course, most readers are familiar with the potential problem – and may have had identical experiences – and so in addition to the reassurance of the lesson learned, the universal also promises a humorous twist at the end that brings the reader back to the beginning. 

What makes this work is the comfort that is found in the universal themes.  There are no conceptual twist to wrestle with at every turn, just a simple narrative that allows the reader to place themselves easily in the mindset of Petunia. Done right, there's nothing wrong with simplicity.


Disclosure: book provided courtesy of the author.

A Balloon for a Blunderbuss

written by Alastair Ried, illustrated by Bob Gill
Harper 1961 / Reissued by Phaidon 2008

One of those strange things about the publishing industry I'll never understand: Why would they let something like this slip out of print and out of their hands? Things being what they are, it's sad to see the short-sightedness of ignoring your history and your backlist.

Based on the simple premise of "what would you trade me for this" a butterfly is offered up, and through a series of trades -- for wishbone, a wishbone for a flag, a flag for a straw hat -- finally is traded for an island and everything on it. Of course, when asked to see the butterfly in hand it flies to freedom, proving that some things cannot be possessed, much less traded.

The simplicity of the idea is matched by Gill's graphics, isolated images in thick, inky lines and filed in with a single spot color, occasionally two at the most. Gill, who is a major influence in graphic design (and, oddly, also co-created Beatlemania for Broadway) understands a concept seemingly lost in today's picture books: less is more. While I agree that modern printing has permitted any number of miraculous picture books to be produced, I sometimes feel like gazing at a wall of picture books in a bookstore these days is the equivalent of staring at the signage of Times Square at night when what one wants is a cup of tea in a zen garden.




There's a lot of similarity with the travel picture books of Miroslav Sasek, both in illustration and simplicty.

Simple stories, simply told, simply illustrated. No fancy digital manipulations, no full page bleeds, no extraneous cleverness or in-jokes or asides scattered throughout the illustrations. The book isn't trying to compete with movies or video games or the presumption that a reader needs to be inundated with images to hold their attention.

Simple works.

I understand Phaidon has reprinted another Gill title, What Colour is Your World, and has also reprinted Tomi Ungerer's The Three Robbers. They may be onto something.