Drama

by Raina Telgemeier
Scholastic 2012

Romance and friendships are tried and tested during the production of a middle grade play where everything is one giant emotional... drama.

Callie is crushing on Greg, and after he breaks up with his girlfriend Bonnie it looks like she might get a chance at him, but after one sweet kiss it goes south when Bonnie and Greg reunite. Good thing there's the upcoming play production to distract Callie from her short-lived non-romance. Better, the play is a Southern love story and Callie is chock full of enough ideas as part of the stage crew to put Greg quickly out-of-mind.

While posting the announcement for auditions Callie meets brothers Jesse and Justin who have their own interests in the play and in short order they all become close friends. Things start to get messy when Bonnie tries out and gets the lead in the play opposite heartthrob West and they start dating. No, things get messy when Callie starts falling for Jesse who has his own heart set on... West? And after the Spring formal, when Greg realizes he's been a bonehead by letting Callie go will she forgive the way he's treated her in the past and consent to be his new girlfriend?

So much middle school drama!

There's a lot of shifting alliances and subtle game-playing that makes Drama feel natural, warm, and authentic to the middle school experience but at the same time Callie ends right where she started, without a love to call her own, without the one thing she had been wanting all along. Has she grown because of her experiences working on the play? Certainly, and she's perhaps learned a thing or two about the heartbreak of choosing the "wrong" guy more than once. But the story ends with Callie and her extended stage crew friends toasting their triumph and making plans for next year's play. She's come full circle but she's right back where she started and it feels extremely anticlimactic.

I had this same sense after finishing Telgemeier previous graphic novel Smile, this sense of a time captured in amber but frozen in a way that left it life-like and lifeless at the same time. Both books read more like static snapshots in a private photo album rather than narratives full of characters who experience growth. Both books ring true because they are true-to-life, but in the same way that a diary can be a true record of events without a real or strong narrative through line. You can follow all the character's emotional upheavals, see everyone interact, get come closure on all the open issues, and still not feel like anyone's really changed.

Unless I've misunderstood and the one true love of Callie's life is the theatre, in which case the story has a bit of an "and then I woke up" feel to it. But I don't think that's was the intention. The thing is, there are plenty of examples of this kind of backstage mixed-up romance, and they tend to be MGM musicals from the Freed unit back in the 1940s and 50s. The "let's put on a show in the backyard" Andy Hardy movies with Judy Garland and Mickey Rooney are cut from this cloth, as is another Judy Garland vehicle, Summer Stock. But these films knew the audience was there for the singing and dancing and didn't hold out for great character revelations. Perhaps that's what felt missing to me, that the graphic novel with a backstage setting didn't have enough singing or dancing? Yes, that's ridiculous of me, but at the same time it makes sense; at least in the musicals there is a sense of emotion conveyed in the song and dance portions.


Among middle grade graphic novels I think there is a lot of great opportunity for realistic contemporary stories like Drama, but I think I'd prefer the ones aimed at a girl audience not focus on romance. That's just a preference, not a scathing indictment.

How long, I wonder, before a true graphic novel wins a Newbery? Or is that just out of the question?

Smile

by Raina Telgemeier 
Scholastic  2010

The memoir of the author's teen years told in graphic novel format focusing on her orthodontic adventures following a severe injury.   

Everyone has a story tell about themselves, and in theory everyone has a reason for telling that story.  We do this all the time in conversation when someone mentions a topic and our memories spark with a story, account, or anecdote that relates to the topic in question.  In theory the story of ourselves we tell is also appropriate to the situation – when told, for example, about an elderly person's death after a fall we don't automatically launch into a humorous story about that one time we fell while carrying a gallon of mustard and ended up on the floor covered in it.

The memoir is very much like the stories we tell casually.  Unlike a biography which is an attempt to get a story factually straight, or to understand better the person behind the story, the memoir is an elective tale told by the author toward a specific goal or to make a particular point.  And as with any narrative it is presumed that the point of the memoir is the natural accumulation of the episodes depicted, a sort of realization that comes from the conflicts presented.  

So we begin smiles with a sixth grade Raina who one day falls and lands on her face, accidentally knocking out her front two teeth.  For the next six years (and 200+ pages) Raina goes through an elaborate series of dental surgeries, adjustments, and reconstructions that would naturally traumatize any teen.  Her circumstances are unique in that she doesn't just need braces, she'll need to have her teeth shifted to fill the gaps, fix an overbite, and then correct for misalignment.

Along the way we learn about Raina's love of video games, her crushes on boys, her artistic temperament.  As she gets older and moves on to high school she feels herself pull away from her friends, or rather, her friends are unchanged and she's moved on.  She finds a new crowd to hang with and in the end is happy with the person she's become.

Initially Raina's friends make fun of her in various situations, mocking her for her "vampire teeth" and and for liking a younger boy, until finally Raina calls them out and walks away for disrespecting her.  This lesson in self-esteem would seem to be the main message of Smile, and not entirely inconsistent with Raina's situation, but I found myself flipping to the last page saying "And?"

As a document in the orthodontic experience Telgemeier's book could serve as an introduction to children who are wondering what they are in for (and aren't easily scared) but these experiences don't fully integrate into the rest of the story.  If the dental sections were removed the story of Raina and her life would remain coherent but the story would reveal itself to be rather weak.  In that sense Smile is like a special effects movie with a weak story constructed to justify what's on the screen.  It isn't necessarily bad, nor is it badly rendered,  but the goal of this memoir is thin at best and takes a backseat to a play-by-play on what to expect when your teeth need correcting.  I never really felt Raina's two worlds connected, and her anxieties are almost indistinguishable from the teen angst of kids who don't have such trauma, that I never really understood what the point of the story was throughout.

A more even balance between both stories, with emphasis on how the surgeries played into the character's esteem, could have made this a winner.